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Dating audubon prints

Only one has been broken and auctioned since then, and the outcome ensured that it will almost certainly be the last.

Dubbed the Sachsen-Meiningen set after its owners, a German royal family who consigned it to Christie’s in 2004, it lacked 11 of the 435 images that comprise a complete set, which influenced the decision to sell its plates individually.

When you look at Audubon, it looks like it’s from the 20th century.

It’s such a leap, stylistically.” This talent for capturing not just the scientific facts of the bird but its behavior and its personality elevates Audubon’s illustrations to fine art.

The unfortunate turn of events forced the Audubon family to declare bankruptcy, and with it, they lost control of the rights to the late John James’ book (he had died in 1851).

Each man recalls different sums for the offer, but both numbers were larger than the .7 million auction total.But Steiner and Harry Shaw Newman II, co-owner of the Old Print Shop in New York and Washington, D.C., recall that a multimillion-dollar offer for the whole arrived not long before auction day.He sold the elites subscriptions to The Birds of America, convincing them to purchase a tome that cost

Each man recalls different sums for the offer, but both numbers were larger than the $5.7 million auction total.

But Steiner and Harry Shaw Newman II, co-owner of the Old Print Shop in New York and Washington, D.

C., recall that a multimillion-dollar offer for the whole arrived not long before auction day.

He sold the elites subscriptions to The Birds of America, convincing them to purchase a tome that cost $1,000, or as much as a handsome house did at the time. And he published it.” One detail that Audubon did not anticipate has shaped the market for the Havell double elephant folio: thanks to legwork by Waldemar Fries and other dogged scholars, we know that at least 171 complete, four-volume double elephant folio sets exist (or, in some cases, did exist), and we have a decent estimate for how many loose prints are floating around (about 91,000), issuing mainly from the 41 sets that were deliberately broken up during the 20th century.

“Very few did everything as Audubon did,” says Oppenheimer. Breaking sets was common until 1989, when the Havell double elephant became more valuable as a whole.

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Each man recalls different sums for the offer, but both numbers were larger than the $5.7 million auction total.But Steiner and Harry Shaw Newman II, co-owner of the Old Print Shop in New York and Washington, D.C., recall that a multimillion-dollar offer for the whole arrived not long before auction day.He sold the elites subscriptions to The Birds of America, convincing them to purchase a tome that cost $1,000, or as much as a handsome house did at the time. And he published it.” One detail that Audubon did not anticipate has shaped the market for the Havell double elephant folio: thanks to legwork by Waldemar Fries and other dogged scholars, we know that at least 171 complete, four-volume double elephant folio sets exist (or, in some cases, did exist), and we have a decent estimate for how many loose prints are floating around (about 91,000), issuing mainly from the 41 sets that were deliberately broken up during the 20th century.“Very few did everything as Audubon did,” says Oppenheimer. Breaking sets was common until 1989, when the Havell double elephant became more valuable as a whole.

,000, or as much as a handsome house did at the time. And he published it.” One detail that Audubon did not anticipate has shaped the market for the Havell double elephant folio: thanks to legwork by Waldemar Fries and other dogged scholars, we know that at least 171 complete, four-volume double elephant folio sets exist (or, in some cases, did exist), and we have a decent estimate for how many loose prints are floating around (about 91,000), issuing mainly from the 41 sets that were deliberately broken up during the 20th century.“Very few did everything as Audubon did,” says Oppenheimer. Breaking sets was common until 1989, when the Havell double elephant became more valuable as a whole.

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For these reasons, a worn, torn, faded, or otherwise injured Audubon print isn’t automatically dead in the eyes of the market. It’s a question of representation and misrepresentation and how well things are done,” says Oppenheimer, who offers conservation and restoration services through his gallery.

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